Nature versus technology is the main theme, with an idealistic depiction of trees and water contrasted with the dystopian nightmare of giant robots and machines, a planet barcoded by the digital objectification of everything. A spinning disk resides at the center of each side; on the green and blue, it is a sturdy hammock, while on the red, a surveillance plate connected to a network of wires is presided over by a robot.

These opposing visions of the world are emanated from or sucked into buckets, supported by a rotating human representing 2019 on a chair. Walls surrounding this human from the left and the right continuously squeeze these buckets in towards the center. On the left, a ball is about to hit a mechanism which pushes an alarm clock inwards, depressing a spring which shoves the left wall right. On the right, the presence of a magnetic field causes a buildup of charge on the capacitor, and it, along with the ball configuration below, pushes the right wall left. To finish the physics, conservation of angular momentum dictates that, as the walls push the buckets in towards each other, rotational inertia decreases, causing the human to spin increasingly faster in a display of chaos.

Finally, nature, represented by a green figure, duels technology, the red figure, below the floor of the spinning human in a game of ping pong. The table is supported by immense particle blasts from three sources below.

All in all, 2019 is a battle between nature and technology, sponsored by physics.